去影院支持了结尾special message后哭成了狗(然后一睁眼灯都亮了只好等别人都走了才走)不知怎么就触动了living in fear 的感受和对同胞姐妹的无能为力又心有不甘的共情Movie-making wise, very mature and reserved, can feel the talents within all the constraints; children actor/actress are wonderful. Last but not the least, actually above all, "God's children are not for sale!"
年轻反而充满了蔓延的绝望 某种意义上我们都是the cracked up 里面女孩子们惊人的早慧 想到那个women are morally superior(ma nuit chez maud or horace& pete?)但是一种迅速的 转瞬即逝的 轻飘的 身体而世俗又无比确切真实的智慧 杨德昌的电影仿佛都是乱糟糟长的要命到最后惊了 真的没有多余的镜头